A crash-landed flying saucer, lying just short of Tatton’s Neo Classical Mansion, VEX contains a message.
Inside the structure, a sequence of video communications from the Marxist hero Che Guevara, who exists in at least three parallel universes, relate the nature of his crash landing as well as his evolving ideas about the virtues of space flight and dub music as the most effective revolutionary forces at work in the world today.
Dinu Li is a British based multi-discipline artist working across time-based media, installation, found objects and performance. Throughout his practice, Li places himself in a variety of circumstances, responding to his immediate surroundings in an attempt to understand the many cultures he encounters. Li’s output offers a visceral reaction to the world around us within the context of the times we live in. He explores the nuances of the everyday – its many rituals, routines and patterns, in relation to local and global concerns. Recent works have been situated between modes of representation, the vernacular, specific geographic and historical contexts and the intersection between the personal and the political.
Li’s work has been exhibited nationally and internationally, including: the 53rd Venice Biennale; the 3rd Bucharest Biennale; Bildmuseet, Umea, Sweden; Oldenburger Kunstverein, Germany; Alternative Space Loop, Seoul, Korea; Chalk Horse, Sydney through Para/Site Hong Kong; Petra Rietz Salon, Berlin; SVA, New York through Artprojx; Rivington Place, London; White Space 798, Beijing and Christian Roellin, Zurich. He has undertaken residencies with OCAT in Shenzhen, China; ArtSway Production Residency in Hampshire and Chengdu, China; and a Cornerhouse and Space Artists Exchange Residency in Central Asia. He has been a guest speaker for Tate Modern, the Victoria and Albert Museum, The British Museum and is a visiting lecturer across educational institutions in the UK and abroad. Li is currently developing the final part of a trilogy of works in China.